Mar 6 / Full Body Tune Up: Rehearsals
Unit: Full Body Tune Up
Theme: Rehearsals
I
Warm Up
Alignment
Stretching
II
Learning Objectives
- Understand the importance of body conditioning
- Explain where your solo and ensemble are in terms of process
- Gain awareness of the timing in completing the choreographic work of both solos and ensembles
- Experience the arrangements needed to objectively predict where your solo and ensemble is going
- Reflect on the work done in class
III
Main Lesson
1
Warm Up
Stretching Session
Stretching in Pairs
Group Massage
2
Read the book
Martha Graham's Cold War: The Dance of American Diplomacy
Victoria Phillips
Read: Prologue (Page 8, second paragraph - Page 10, first paragraph)
IV
A note to Remember
Conditioning your body helps you feel better overall as you gain confidence, reduce depressive symptoms, and feel better mentally.
V
Case Study
VI
Activity
Students rehearse their solo and ensemble work.
VII
Journaling
VIII
Glossary
IX
Sources
How to do Body Conditioning. https://www.healthline.com/health/exercise-fitness/body-conditioning
X
Students' Work
Liliana Li
Full Body Tune-Up
Summary of Book Content
The book pages discuss the concept of shape in dance, especially focusing on how
dancers form and transition between shapes as an essential part of expressive dance and
movement. It explains that shape isn’t just a visual element since it’s tied to emotion, dynamics,
and how the dancer connects to the space, other dancers, and even to an internal sense of
themselves. The material also emphasizes how different types of shapes, like symmetrical vs.
asymmetrical, or open vs. closed, can communicate distinct emotional intentions and tones.
The reading further connects the use of shape to the larger ideas of body organization,
breath support, and energy flow, and frames it as a fundamental expressive tool rather than an
aesthetic choice. Dancers use shapes to tell and enhance stories, express emotions, and create
meaning nonverbally. The importance of breath is described as central to allowing shapes to feel
alive to the watcher rather than rigid. In short, the text frames shape as an expressive language in
itself. It’s a way for dancers to create clear, powerful communication through the body’s form in
space.
One idea that stood out to me is how shape is never really “frozen” in place, even when a
dancer appears to be still. The material suggests that even static poses have an internal energy
flow that’s supported by breath and intention. This keeps the shape alive and connected. Through
this way of thinking, a dancer can stay engaged at all times, not just during obvious movements,
which helps deepen the emotional potential of the choreography.
Case Study
The “Strength and Stretch” video emphasizes how important physical conditioning is for
dancers to be able to maintain control, expressiveness, and flexibility. The video shows a series
of exercises designed to build muscular strength all while encouraging the range of motion and
fluidity. What stood out to me is how strength isn’t portrayed as stiffness or rigid control, but
instead as the foundation that allows dancers to move freely with full dynamic range. The
stretches are integrated with strength work so that both aspects are supporting each other: a
strong dancer can extend further, balance for longer, and express shapes with more power and
clarity. In other words, the video highlights that strength and stretch are not separate goals, but
interconnected qualities that allow a dancer to be resilient, expressive, and sustainable in
practice.

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